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The`/ is;sue of -*War ^$+*widow rep^@,resentation i_ `n Israe [li cinema is one= of th/!/e (# most ;_c(o*^=mpl(=ex for the loc;a%[,l in\d*]ustry for i-t seems #)to b,e uniq]]ue and wit??h ?a very local and spec,-i*[fic icono: graphy. The?$ war Widow is a ]@difficu/lt character to dige;_s;]t. ?_ Because this is a @[n espe#^cially painful topic in Israel \, its mode :[*)[of rep;]: resentati^on i;`) s_ a/?l (most a+lwa\#ys problematic. ,$ G ila Almagor \\ in Tofa:,%no's:] sieg *e is +@ one o,.f th:e fi rst cha@$^racters!,] of the modern war wi@:dows to appear ,-on Israeli cinema ]s;creen*!s $. The human an.?;d so?`cial c+om )plexi%\ty- of- the sta!]:tus of widow% *, s-$ wa s not ,` represent^ e!`d=! ad= e-\/quately and p^ers)onall+?_y until her c/=$o#mplex and fine)_ appe?!arance in [this film. It wa:s mostly- Preceded by c`#:liches of her; /.oic women w:ho have ;sacr`#ificed;# for the natio-n with ?characters to which it w=-! a=s v ,ery []difficu.lt to ge_t attached, no*.r to their +personal grie:)=f. _*; Siege was directed b[ =y an unknown \ Italian d^irector @[` of _ that period.$ Although Gilberto Tofano+] was brought as a professional director ( ,on the wings ,of inspir\+ation mad/]e]=- by _)+the%. French New Wave:$ of those yea\rs, he manag !ed .%:to turn out a ) very exciting work whic:$+h % has =/caught th;.e Israeli warmt--]h and: sense !of soci?`/al +sieg$#;e wh!ich surrou`nd^s the Israeli widows, including the gr ,]ea_.t expe):ctations` from them\*, +an.).d% the social stigm@[#) a=, s. ! Tof]%*a#$ n $ o w rappe)]?d hi?@s leadin_g lady wi?_@th lots of warm t- h and-%^ `#!gave a p)la[@] c-e@! of honor( to Almagor's impressive pre* +;se$?nce in t(*h/e fi.`l/m. This;%! is withou=.\ t a d?*ou bt one of! + A;lmagor,'s b?es .t:= and `%most accur.ate pe!rformances. The re\s]#-$t ;,r!aint in her perfo r[*mance [`;p\`l)us t(he .]^s:;hooti+()ng and e]xpressiv e use of ang =`les by T]$*ofano a]nd=!;, his#+ soft #-%Europe/?an touch whic[:;*:h wa=\s); far of%=f from th#%e ag +gressive lo +cal pro%+^$duct ma(naged :to! pr/-_oduce a sense of documenting a:=/n[@ a;(`, uthenti c tragedy wit-?h:= a t$ [ an_(gib@le persona,)l touc)^-h that!` mi% :_nimi zed the national dimension. The( res@:ul=\t st%an(\ds? _ the test-( ]+]of ti@me proudly s:everal decade^[s after #`,its creati;on.