苏联;:[挽歌

剧情简介

“It is- a fi)l.=m fr /o_m
,an exten`,$ded s]eries_[?./% It is h ?`ard to sa`y who is the mai,n cha
 racter of “The Soviet Elegy.” There a_`re ]mor%#e ^t
-han a hundred;[ faces of$ our compat+# 
riot)s. But, of c#\\^o ).urse, it ;[is []^not by chan.^ce that it` is th],e destiny of a.*] f@$am$.ous #pol:(itical figure, \Boris N/ikol:ayevitc#h,
Yelts`in,(*@ that bears a. % ]:!special ac\cent in .
)the ^$film. Thoug\=h he got to power f] (ollowing quite typ_ical ways, his unc $ommon chara(*cte`[r pu=ts him ou_t of the ordinary, and in the author’s% opinion it ma y b/.e d,etermi#.ned* by his uncom)mo
(@n ^:hu
man na$ture. Our hero ex_i; )sts within - the trag\?
ic patter%.n of the@+# so])-viet socialist life. He is a charac?-,[,t
-er of a %/d,* r/!*#ama,^ ! $!of which he is one of;` the a=!u] t= \$ho[].rs. “T/he Soviet Elegy” can hardly be c]alled ]*- a docume=(nt
:ary film in th[#e proper sense. Of cours`e, the ?author g  uarantees the:( accura-`.cy of ,ch^ronology, but he % insists on _ an arti=st(i`%c mo:?`de of ,%th )) i^`/nk#+_in $g, ^!
:not +\;on a p,olitical o$`r!@ h=ist;#o!*ri#cal investiga[
?
ti?$on.”