红花 =之歌

剧情简介

“Sangen Om De+`#\n Eldröda Blomman” #( “ 
%So,ng Of #-#The S%/carlet F*^@lower” ) wa=!s a recent and rem,(ar.kable sil).ent sur prise for#` this
?;
?Her]%r Vo;*n; the oeuvre is? an exce*llent H,?err Stiller silent fi\lm `that *`#+=this Ge?`rman]^(^ count watc \hed` in a newly res tored/; a;
nd## tinted copy. It co*mbines th=%(e well-k`[now:),n ;:a*est## hetics, technica.=l impro
vements a$]nd artisti( c me[(rits $[
for which t_`he Nordic direc`tor w\as kn.+own

and:^ pr-$aise*
!;d since those*^* early silent times till today.　　The film t.+ells of the merry @@and carefr;)ee love life o`:f ]?;young O(=:lof ( H
err Lars Hans `o+_n ) a[^,, woodsman w_-ho during his # [search f*or true love, seduc ^es[@, many fraul_eins ( ):ju_st like th!is G 
erman@=- ari stoc$rat…. well,
_ not exactly @`[because the pu[;rpose of ]%,this Herr Von’s== @)seduc-:t(#ion of!= rich fr]/äulein*![ he._*iresse,s-(% are th\eir gre;a/)[t fo$rtunes… ). He wi[ll suffer disappointm%!.[ent and d(# ecept!/*ion, all t;ho)se problems that t%`urn ,up ,^in an-(y loving` \;relationship. Finally he will  (find responsibili%ty a[!nd m]aturity, learnin`g#\] d(^uring hi@s par.ticular quest
( that his actions alway:)$s ha\ ve con!\sequen=ces in differ@^_(ent ^ \@d=?:e.;gree)?]s to the *people aro+$=un=*)d him..@= This Her)r Von can describ=e “San]gen*,? Om;[…”] as a kind (of coming of a, ge ]film, the+ s`p ecial /+[:int#rospective growt[@(h tow %ard\ mat#,urity of` a f$\=(ree and easy youngster.　　As this =. Ge?^rma^.*n count said before:@,,[ ) the f??ilm di*spl;+=ay!
s ^Sti]ller’s char),?%
acteristic art/@istic virtue.s. ; in th$%@]e] first p! ;art (
=of the film, we can se,
e%`+ elements/. o#f com#.
edy, not +!exactly like the^ comedy of intrigues in #other S.tiller films:#, but hu +%]mor o[ f a - more cheerful sort, high%\lighting  the self-inv olve ]/ment of our he
_= ro. Olof ‘s /frivolous *= f
#lirtations _@,wi- *t$\h the different girls eventu)al)l!)y turn *roma]! n%$%-tic and then turn i; .nto dr`a
;-,ma. .+Th,ere $is conflict in the troubl@ed relatio%nship b?-
:e.@@twe()en Olof and[]% his father and later w`.:ith) the (?
father o-#f his% beloved. Th=$e beautiful :an!,d)` wild n.)]atur?/+,a[l landsca
-pes o:f.` Norrland a\=nd norther!n Sweden lend the ta(`l*-e a. c @ertain power a,#nd is characteristic of `*#Herr St\]ille!r’s^ o_ther silents where N.-,a
ture emerges: as an i/)mporta_ nt character, in t@he story. This is s
?+trongly reflected t*[hroughou*t (.the film._$. but(+- especially duri# ,ng*` #_the fra.ntic ;@scene ((wher`ein Olof des^cen[ds into the troub$+le d wat``^?ers of @a river=, ^ @:a%; b:#eautiful me
.ta;].p(%@`hor ,./for the /
hardships %[tha)t o+`ur hero ha:s to endure until he finds himself.　　-,“Sa/n$*(gen Om# Den E *ldröda_ Bl*%o!-?mman” is an $excelle(nt[%, %@beau /:t(iful! fi^@ lm, a solid, *technically per#
;fe-ct -a(#-nd intricate production of )1919 tha@[ t demonst;=
rates [onc
e ag-ain the im*por:-tance of Herr )Stiller ]#for silen$t_% fi]lm h@`[i!$$?story.